TWELVE FANTASIES OF THE ITALIAN RENAISSANCE
for guitar
transcription and fingering for guitar by Fabio Rizza.
Music by Da Ripa, Paladino, Feliciani, Dentice, Ferrabosco.
(S-182)

for four guitars.
Quartetto Cosmos: Thomas Candon, Andrea Faroni, Barbara Guerriero, Stefano Parisotto.
(S-385)

Enrique Granados
12 DANZAS ESPAÑOLAS
for guitar
Transcription and fingering by Marcello Serafini.
Guitarist: Marcello Serafini.

for guitar (S.478)
Editing and fingering by Fabio Rizza.
Guitarrist: Simone Rinaldo.

Girolamo Frescobaldi: Balletto I - Corrente - Passacagli; Capriccio sopra la battaglia; Balletto terzo - Corrente - Passacagli; Aria detta La Frescobalda;
Louis Couperin: Passacaille;
George Friedich Handel: Sarabande.

Leyenda from "Suite Espanolas no.1 op. 47"
Transcription for guitar by Livio Torresan
Guitarist: Serena Saloni
(S.338)

Transc. for guitar by Ganesh Del Vescovo
Contains: Doctor Gradus ad Parnassum, Jimbo's lullaby, Serenade for the Doll, The snow is dancing, The little shepherd, Golliwogg's cake-walk.
(S.264)

edited by Ganesh Del Vescovo
(S-448)

for guitar, transcribed by Luca Trabucchi.
(S.055)
Content: 1) A Fantasie Maister Dowland; 2) A Fantasie; 3) Fantasia; 4) Fantasia; 5) Forlorn Hope Fancy; 6) Farewell; 7) Fantasy Mr. Dowlande; 8) Farewell; 9) A Fancy; 10) Fantasia; 11) Fantasia; 12) Fantasia

(Serenade from “Suite Espanola” op. 47)
(S.411)
Edited by Livio Torresan.
Guitarist: Andrea Torresan.

VOL. I - Toccatas
Transcribed and edited for guitar by Stefano Maiorana & Matteo de Rossi.
(S.456)

(easy/intermediate) (S.238)
Transc. and fingering by Fabio Rizza. Vol. 1° - The Renaissance
This anthology aims to offer students a selection of works drawn from literature for lute, guitar, vihuela and related instruments. The first volume is dedicated to the Renaissance repertoire.

(easy/intermediate) (S.243)
Transc. and fingering. Curated by Fabio Rizza. Vol. 2° - The Baroque
This anthology aims to offer students a selection of works drawn from literature for lute, guitar, vihuela and related instruments. The second volume is dedicated to the Baroque repertoire from its origins to the gallant style.

Works chosen for triodue mandolins and guitar
(S.353)
Dora Filippone: Mandolin
Elena Parasacco: Mandolin and mandola
Alessio Nebiolo: guitar

Selected works for guitar (S.352)
Edited by Alessio Nebiolo, preface by Dora Filippone
Guitarist: Alessio Nebiolo

Anselmo Bersano (1903-1998)
(S.259)
Edited by Fabrizio Giudice
This edition is based on the discovery of some of the most representative compositions by Anselmo Bersano (revision and text by Fabrizio Giudice).
Petite Valse and Studio Legato were recorded by Fabrizio Giudice.

Johann Sebastian Bach (1685-1750)
For guitar (S.277)
Transcription and fingering by Andrea Dieci.

Tango for five guitars or guitar ensembles
Arrangement and fingering by Maria Ivana Oliva
(S.541)

Johann Sebastian Bach (1685-1750)
(S.532)
Transcription and fingering by Bruno Giuffredi
Guitarist: Bruno Giuffredi

(Malagueña op. 71 n. 6)
Guitar transcription by Livio Torresan.
Guitarist: Andrea Torresan

Transcription for guitar di Ganesh Del Vescovo
(S.450)

SIX BAROQUE PIECES
Transcription and fingering by Marco Corsi
For soprano saxophone (clarinet) and guitar
(S.465)
Music by Johann Sebastian Bach - Alessandro Marcello - Antonio Vivaldi.

Transcriptions for guitar by Fabio Rizza.
(S.293)
Content: Ouverture, Fantasie, Fuga, Capriccio, Tombeau sur la Mort de M.ur Comte d'Logÿ, Tombeau sur la Mort de M:Cajetan Baron d'Hartig, L'infidèle.

edited by Fabrizio Giudice.
(S.177)

Edited by Vincenzo Pocci & Marco Bazzotti

Edited by Vincenzo Pocci & Marco Bazzotti

DODICI STUDI (intermediate/difficult) for guitar

For guitar. Transcr. and fingering by Ganesh Del Vescovo
Music played by G. Del Vescovo.
(S.329)

Transc. for guitar di Ganesh Del Vescovo
(S.499)
Ouverture - Allegro - Oh chi piange? - Del futuro nel buio discerno… - Anch’io dischiuso un giorno - Va, pensiero.

for guitar
Transcription and fingering by Francesco Molmenti.
(S.527)

Revision by Francesco Russo for guitar trio + CD
Last composition by Maestro Mario Gangi, now published.
Suite dedicated by the Maestro to the “S. Cecilia ”Guitar Trio, formed by Massimo Delle Cese, Gianluca Persichetti and Massimo Aureli.
Also attached is the copy of the manuscript useful for a critical comparison.
(S.581)

Arrangement and fingering for five guitars by Maria Ivana Oliva
Ángel Gregorio Villoldo Arroyo: El Choclo
Julio César Sanders: Adios Muchachos
(S.579)

For two guitars (S.426)
Transcription and fingering by Harmonìa Guitar Duo.
Guitarists: Gianluca Guido Maccarrone and Rita Casagrande.

For Guitar Trio (S.304)
Transcription from the original for piano and revision of the Ravel Trio.
I. Allegro ben ritmato e deciso
II. Andante con moto e poco rubato
III. Allegro ben ritmato e deciso.

12 Variations
(S.469)
Transcr. for guitar by Ganesh Del Vescovo

for guitar (S.092)
transcription and fingering by Paolo Pegoraro

for guitar (S.141)
(Previously selected by Andrés Segovia)
Edited by Bruno Giuffredi and Andrea Dieci

Matteo Carcassi (1792-1853)
Edited by Bruno Giuffredi

12 studies for flute, A cura della concertista Luisa Sello

12 Studies for flute & piano

12 Studies with unlikely names Vol.2 (flauto and piano)

12 studies for flute & guitar (easy - medium level)

For guitar. Transcr. and fingering by Ganesh Del Vescovo (S.222)

for guitar
Edited by Paolo Pegoraro and Stefano Viola
(S.140)

Editing and fingering by Andrea Dieci (S.161)

12 studies for flute, A cura della concertista Luisa Sello

12 Studies for flute & piano

12 Studies with unlikely names Vol.2 (flauto and piano)

12 studies for flute & guitar (easy - medium level)

Sei Quartetti for guitar