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Gaetano Romeo: ACUSTICA E PSICOACUSTICA MUSICALE Gaetano Romeo
ACUSTICA E PSICOACUSTICA MUSICALE
(S. 375)
Plug in, effects of environment, equilizzatori, compressor, limiter, delay, chorus, delay and reverb.
For use the Conservatories, music institutes and high music schools.
Pages 120 

€ 16.00


Vincenzo Pocci: LA CHITARRA - rivista mensile letteraria e musicale Vincenzo Pocci - Marco Bazzotti
LA CHITARRA - rivista mensile letteraria e musicale
(S. 284/5/6)
Selection of writings 1934-42, Vol. 1, Vol. 2 and Index (Italian language)
Complete works at discounted price Pages 316+354 +123+32 Tav. colori 

€ 50.00


Vincenzo Pocci: LA CHITARRA (III) - Indici Vincenzo Pocci - Marco Bazzotti
LA CHITARRA (III) - Indici
(S. 286)
Selezione di scritti 1934-42, Vol. 3.
Indici e facsimili. [Italian language]

A completamento dei due primi volumi con la selezione degli scritti, questo volume affronta il delicato compito dell'indicizzazione dell'intero lascito della rivista, ovvero delle sue oltre 1100 pagine letterarie e 250 musicali.
All'indice cronologico, seguono numerosi indici analitici (degli inserzionisti, per autore, delle musiche pubblicate, delle recensioni di musiche e libri, dei chitarristi recensiti e dei necrologi), ove sono stati corretti errori di stampa e attribuzioni nei casi dubbi.
Strumento agevole per una lettura informata, adatta sia allo studioso più esigente di oggi come al ricercatore, il volume è arricchito da 32 tavole con facsimili tratti da «La Chitarra» e da altre riviste che la citarono. Completa il quadro generale l'accesso online all'indicizzazione con ricerca, e trascrizione completa, delle pagine della rivista storica, tratte da archivi privati.
Indice PDF-file
Pages 123 + 32 Tav. colori 

€ 17.00


Vincenzo Pocci: LA CHITARRA (II) - rivista mensile letteraria e musicale Vincenzo Pocci - Marco Bazzotti
LA CHITARRA (II) - rivista mensile letteraria e musicale
(S. 285)
Selection of writings 1934-42, Vol 2
ITALIAN TEXT ONLY.

This second volume contains essays on the history of the instrument, written by the magazine's most active cooperators, namely M. R. Brondi, Rezio Buscaroli, Romolo Ferrari, Emilio Pujol, Giuseppe Raspelli, Eleuterio F. Tiscornia and others. Texts were all commented by the editors in the light of the most recent musicological discoveries. Some articles describe the international guitar scene of the time and finally there are some articles on guitar making, with contributions by Ugo Baldini, Arnaldo Casassa and Giulio Vio, including the genesis and results of guitar making competition organized by the magazine in 1937.
The noble style of narration, the dialogues at the distance and the controversies among epoque guitarists are still fascinating nowadays and together help to reflect on the history of the guitar as seen through the eyes of his contemporaries, since its timid outburst at the turn of 20th-century to its full emergence as a concert instrument.

Content Index PDF-file
Index of names PDF-file
Pages 354 

€ 20.00


Vincenzo Pocci: LA CHITARRA - rivista mensile letteraria e musicale Vincenzo Pocci - Marco Bazzotti
LA CHITARRA - rivista mensile letteraria e musicale
(S. 284)
Selection of writings 1934-42, Vol 1
The monthly magazine "La Chitarra" is historically the first Italian magazine entirely devoted to the modern six-string instrument. It was born in Bologna in 1934 and remained active until the end of 1942, despite obvious difficulties. The articles selected in this book are complete with all original images, gathered thematically and commented by the editors. Reading them provides a historical overview of great musicological interest and of great educational value. The noble style of narration, the dialogues at the distance and the controversies among epoque guitarists are still fascinating nowadays and together help to reflect on the history of the guitar as seen through the eyes of his contemporaries, since its timid outburst at the turn of 20th-century to its full emergence as a concert instrument.
Content Index PDF-file
Index of Names PDF-file
Pages 316 

€ 18.00


F. Arlia - V. Currenti - A. Mazza - G. Salvetti - A. Vitale: ELEMENTI DI MUSICA POPOLARE F. Arlia - V. Currenti - A. Mazza - G. Salvetti - A. Vitale
ELEMENTI DI MUSICA POPOLARE
(S. 276)
Per i corsi di storia e storiografia musicale
La musica popolare e gerarchia della legittimità.
Il Decamerone come fonte della musica.
Bela Bartok e il mikrokosmos.
Alfonso Maria de' Liguori.
Estratto Introduzione e Sommario PDF-file
Pages 60 

€ 13.00


Piero Caraba: LE FORME DELLA MUSICA Piero Caraba - Carlo Pedini
LE FORME DELLA MUSICA
(S. 270)
(The form of music)
This book [Italian language] is the outcome of more then 25 years of teaching "Harmony" and "Analysis of musical forms" at the conservatories of music. It explains all forms the history of music has produced, starting from Gregorian chant to the music of today in about 500 pages full of explanation and examples.
Pages 484 

€ 30.00


Rosario Fronte: GUIDA PRATICA SULL'USO E LA RISOLUZIONE DEI PRINCIPALI ACCORDI DISSONANTI Rosario Fronte
GUIDA PRATICA SULL'USO E LA RISOLUZIONE DEI PRINCIPALI ACCORDI DISSONANTI
(S. 074) Pages 40 

€ 10.00


Vittorio Vinay: COME SI ANALIZZA IL TESTO MUSICALE Vittorio Vinay
COME SI ANALIZZA IL TESTO MUSICALE
(S. 154)
Preview: Index, p. 3 (PDF) - Preview: Introduction, p. 11 (PDF) Pages 148 

€ 19.00


Vittorio Vinay: LA SINTASSI ARMONICA DEL CONTINUO Vittorio Vinay
LA SINTASSI ARMONICA DEL CONTINUO
(S. 048)
Gradual theoretical-practical applications (Italian text)
A practical manual mainly addressed to harpsichord players and harmony experimental classes. A useful tool to learn progressively the instrumental techniques for the basso continuo required for the harpsichord diploma and to update one´s knowledge of "fundamental harmony". Pages 110 

€ 16.00


Vittorio Vinay: LE TECNICHE DELLA MODULAZIONE Vittorio Vinay - Bruno Giuffredi
LE TECNICHE DELLA MODULAZIONE
(S. 010)
For harmony subsidiary and main classes and university preparatory musicology classes (Italian text)
Modulation, disambiguation, transition vs. polarisation, enharmonic reinterpretation, applications, examples of examinations, typological tables.
Knowing modulations means understanding and being able to use the rules thanks to which the combination of cadence units produces correct tone contexts. This can be achieved only if the study of scale contexts is not the result of more or less empirical recordings but rather the fruit of a theoretical hypothesis inferred from the analysis of the scale system taken as a structure that can generate the principles of its contextual organisation.
Pages 59 

€ 13.00


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